Still too much Hollywood for it's own good

Big and bold monster rampage is the easy part, making it count is hard. Some surprisingly stylish scenes are overshadowed (I think it had two artdirectors) by the usual movie laziness en cliches - like people constantly briefing each other about things everyone's already doing. A fun ride though.

Maybe girls like it

The problem is that they made this into some sort of girl movie, with girlpowermusic, a love interest with a Ken, an evil beauty make-up corporation and a bouncy and goofy main character. Worse: they managed a half-naked woman walking around in leather to be completely non-sensual.

Up with Tarantino's standards and trademak style

A bold, daring and violent way to address slavery, full of Tarantino-style endless chit-chat and under-the-skin tension that somehow keeps you on the edge of your seat. I thought Django himself was overshadowed and flat, but then again I am not a big fan of Foxx.

Pointless and quite uninteresting

The creation of the monster is briefly told in flashbacks while the opening titles are still running. The fact that he is Frankentein's is hardly relevant. He is basically a strong, civilized dude fighting demons, in a dull and stiff copycat of Underworld and Van Helsing Gothic stylistics.

Slamming scifi with a twist

A neat thrill ride based on a great story, cool action and splendid visuals. Maybe the story was over-centered at the main character and story, making it feel like the suffering of the rest of world wasn't an issue. But who cares.