Also a ferocious battle between great CGI and a great movie

Even a spectacle of this caliber, with such magnificent visuals, still would need a better story and characters to leave a lasting impression and score higher. But the dumb 'n fun factor sort of works here.

The good bits are mostly a side dish

With almost every scene a piece of art, this is quiet a looker. The ghost scenes were great too. But the story holding it together is mostly a costume drama of love, crime and passion, which I found quite slow and pale by comparison. I really liked Jessica Chastain's performance, though

Decent, restrained disaster

While it doesn't set out new frontiers in disaster movies, I thought it was a pretty good one. It kept us hooked, it doesn't have overly complicated stunts and escapes, and it conveys a message that is such situations, the comets are hardly the biggest problem.

A pleasant fix of gloomy weirdness

I wonder if it's just because of the black and white that it reminded me of Eraserhead? Or was it also the sweaty claustrophobic cinematography, the insanity and otherworldlyness of it all? Who knows. It's a cult niche thing, but a worthy one for sure.

Watch out for splinters

At times a majestic and grandiose movie that definitely has it's moments, but also has some distracting dissonants like the weird fast paced conversations and inconsistent character of Arthur himself. Sometimes he was sincere, sometimes a goofball. It failed to latch on, already I am forgetting it.